Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The treasure trove of previously undiscovered Britten songs is still growing. On this disc in the ongoing Britten edition, devoted...
Reviewed by Alan Blyth in issue: 4/1998
A popular orchestral programme of Wagner needs to have something special about it, even at mid price, to command attention,...
Reviewed by Ivan March in issue: 2/1991
Like so many skilled 18th-century musical journeymen, Anton Zimmermann (1741-81) quickly fell into oblivion after his death. During his lifetime,...
Reviewed by Richard Wigmore in issue: 3/2008
The symphony sounds to be more ‘the real thing’ than most recordings claiming to be live, judging from the moderate...
Reviewed by John Steane in issue: 6/1997
The Emerson Quartet are currently playing Shostakovich all over the world, and the appearance of this long-pondered integrale sets the...
Reviewed by David Gutman in issue: 6/2000
“Did you see it?” everybody said, after the Gala concert had been shown on television. No, I did not, but...
Reviewed in issue 8/1997
The Compact Disc debut of Bach organ music (Chorzempa's recital on Philips 410 038-2, 7/83—with a different programme) proved such...
Reviewed by Ivan March in issue: 1/1984
Though the audience are pretty well inaudible until the final enthusiastic applause, this Haitink/Concertgebouw Choral Symphony was recorded at a...
Reviewed in issue 11/1984
Up to a point the length of a review should denote importance—and were this the case, this notice ought to...
Reviewed by Robert Layton in issue: 11/1985
On the face of it, the credentials of the Vlach Quartet of Prague would seem to be impeccable – the...
Reviewed by Andrew Achenbach in issue: 4/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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