Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Anyone who invests in Pearl’s excellent Toscha Seidel CD and who reads Lawrence F. Holdridge’s thoughtful annotation will now be...
Reviewed in issue 11/1999
Saint-Saëns’s chamber music fares better in the concert hall than the recording studio, perhaps because musicians tend to listen less...
Reviewed by Peter Quantrill in issue: 7/2005
Rubinstein was already in his later eighties (and Fournier only 20 years younger) when these recordings were made in 1972...
Reviewed by Joan Chissell in issue: 4/1989
If you have been following Gramophone's response to new recordings of Debussy's La mer, Nocturnes and Jeux for the last...
Reviewed by Jonathan Swain in issue: 3/1994
This third and perhaps luckiest dip yet into the bag marked British is for me full of pleasant rebukes and...
Reviewed in issue 2/1998
To have three different versions of Tchaikovsky’s masterly Piano Trio on disc within two months is bounty indeed, the more...
Reviewed by Ivan March in issue: 2/2009
Bellini said that music drama must make audiences cry, terrify them out of their minds and then kill them. His...
Reviewed by Mike Ashman in issue: 9/2010
It is good to have on one disc music by these three composers, whose names are so often bracketed together,...
Reviewed in issue 12/1994
This recording of songs by Binchois and Dufay by the Gilles Binchois Ensemble might well be considered alongside that of...
Reviewed by Tess Knighton in issue: 6/1991
Furtwangler's St Matthew Passion was recorded from live performances in Vienna in 1954, some seven months before he died. The...
Reviewed in issue 10/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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