Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There is nothing very special about this coupling, except the generosity of its contents. It represented Marriner's debut as conductor...
Reviewed by Ivan March in issue: 12/1984
Masur rounds off his Tchaikovsky cycle for Teldec with a characteristically crisp and welldisciplined account of the Polish, very well-recorded....
Reviewed by Edward Greenfield in issue: 3/1992
This is a magnificent companion to Alicia de Larrocha's previous Granados LPs, of the Goyescas (Decca SXL6785, 12/77 CD 411...
Reviewed in issue 3/1985
Judging by Rihm’s standards, one might almost regard this as a collection of miniatures. At just under 20 minutes, Phantom...
Reviewed by Fabrice Fitch in issue: 7/2003
Before during and indeed for a short time after the war it was quite common to hear Lieder sung in...
Reviewed by Alan Blyth in issue: 1/1990
Really rather an odd coupling, though a rewarding one: the Martinu Rhapsody-Concerto is placed first, the d'Indy Symphonie occupying the...
Reviewed by Robert Layton in issue: 6/1987
There is a touch of the impetuous about Richard Lester’s playing of these sonatas which seems to me to capture...
Reviewed by Stanley Sadie in issue: 1/1996
Richard Abram of EMI is to be congratulated on assembling this fascinating and historically essential document. Andrew Walter and Paul...
Reviewed by Alan Blyth in issue: 2/1994
This issue falls into a special category and comes as a fortieth-birthday tribute to Jacqueline du Pre. In a note...
Reviewed by Robert Layton in issue: 7/1985
I can say without reservation that I admired these performances as much as any I have ever heard of these...
Reviewed by James Methuen-Campbell in issue: 3/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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