Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When I see suchandsuch a singer’s Christmas Album‚ I usually run a mile (figuratively speaking) from the sentimental‚ religioso items...
Reviewed in issue 12/2001
All the favourites are here, well ordered and beautifully performed. The programme takes us up to La bonne chanson, completed...
Reviewed in issue 2/1990
The CD version emphasizes the limpid clarity of both the playing and recording, and the rather close balance. The DG...
Reviewed in issue 4/1985
Somewhat misleadingly this disc is described as Vol. 1 of ''The Complete Organ Works''. Certainly the organ plays an integral...
Reviewed by Marc Rochester in issue: 3/1991
In 1970, when DG issued their bicentenary Beethoven Edition, Wilhelm Kempff’s cycle of the piano sonatas, completed only five years...
Reviewed by Edward Greenfield in issue: 13/1997
Every new or reissued Malipiero recording adds something to the portrait of what we are gradually beginning to recognise as...
Reviewed in issue 7/2001
The issue of subjectivity in this music is a thorny one. The debate rolls on: can one, should one, be...
Reviewed by Edward Seckerson in issue: 4/1997
Wilhelmina von Chezy's play Rosamunde is well known to be a hopeless farrago of nonsense. No trace of it remains...
Reviewed in issue 9/1985
This latest instalment in the series of Decca recordings deriving from Andras Schiff’s exhilarating annual chamber music festival at Mondsee,...
Reviewed by Richard Wigmore in issue: 1/1996
''Dazzling'' was EG's epithet for this performance when it first appeared on LP, and I can only echo him: fast...
Reviewed by Michael Oliver in issue: 9/1984
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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