Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A year without a recording by the vital, ever-youthful Krystian Zimerman is a year lost – and his previous recording...
Reviewed by Bryce Morrison in issue: 4/2004
Roger North, writing in about 1700, described the sound of the trumpet, ''that small, portable, comodious and martiall tube'', as...
Reviewed by Nicholas Anderson in issue: 1/1988
Pure enjoyment from start to finish. Even more than the admirable Maggini Quartet on Naxos, the Vanbrugh Quartet makes both...
Reviewed by Andrew Achenbach in issue: 2/1999
The six concertos recorded are the complete set of Op. 10, a collection thrown together (cabbaged largely from earlier music...
Reviewed in issue 2/1987
The name of Georg Schumann will be unfamiliar to most readers. He spent 50 years as director of the Berlin...
Reviewed by Marc Rochester in issue: 13/2007
Gulda clearly has lots of new things to say about Op. 111. By comparison with his recording once available on...
Reviewed in issue 5/1985
This might be termed the Gerontius of the 'JBs'. It very much belongs to the Angel of Dame Janet Baker...
Reviewed by Alan Blyth in issue: 12/1989
These are thoroughly competent performances in which the soloists in the flute and bassoon concertos are members of the Chamber...
Reviewed by Christopher Headington in issue: 9/1991
Among the many famous pianists who studied with Theodor Leschetizky, Mark Hambourg stood out as a force of nature gifted...
Reviewed by Jed Distler in issue: 1/2006
Giles Swayne's Cry for 28 amplified and electronically modified voices was commissioned by the BBC, first broadcast in 1980 and...
Reviewed in issue 11/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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