Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The layout of Salzburg Cathedral, where Biber was Kapellmeister in the last two decades of the seventeenth century, and the...
Reviewed by Lionel Salter in issue: 6/1994
Arvo Pärt’s Passio is a shining beacon among countless late-20th century religious works that confronted the formidable prospect of a...
Reviewed by Rob Cowan in issue: 4/2003
It is Janácek’s Sonata which dominates this recital, standing out from the other two by virtue of its ferocious originality....
Reviewed by John Warrack in issue: 10/2009
Vernon Handley's interpretation of the Sixth Symphony strikes me as a model of blistering cogency and long-term control. Don't be...
Reviewed by Andrew Achenbach in issue: 1/1995
Music flourished at the court of Henry VIII, and his 58 musicians included seven flutes. Henry was an amateur songwriter...
Reviewed by mberry in issue: 11/2004
The acoustic of the Gothenburg Concert Hall is justly celebrated and enables the orchestra to be heard at its very...
Reviewed by Robert Layton in issue: 8/1984
Do you like your Mozart refined and graceful? Or robust and spontaneously expressive? A combination of both would be perfect,...
Reviewed in issue 9/1997
Following hard on the heels of Andrew Davis’s BBC SO Job for Teldec (see above) comes a super-budget rival from...
Reviewed by Andrew Achenbach in issue: 7/1997
Haydn symphonies have tended to be a bit of a graveyard when it comes to recordings: think of the promising...
Reviewed by Harriet Smith in issue: 6/2009
Of the three orchestral works by David Matthews on this CD, only one – A Vision and a Journey –...
Reviewed by Arnold Whittall in issue: 4/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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