Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The booklet with this CD states that Tzimon Barto ''has been described as a leading exponent of a new romanticism...
Reviewed by James Methuen-Campbell in issue: 6/1989
It is easy to dismiss the music of Alan Hovhaness (1911-2000). For starters, he was suspiciously prolific, with opus numbers...
Reviewed by Andrew Farach-Colton in issue: 11/2003
Briefly, Hyperion have done it again. With the courage and imagination that we are almost beginning to expect from them,...
Reviewed by David Fallows in issue: 6/1988
It seems astonishing that a substantial piece of chamber music by a composer of the prominence of Herbert Howells should...
Reviewed by John Warrack in issue: 8/1986
It must surely delight John Field, in Elysian Fields, to know that it's a fellow Dubliner who now so gallantly...
Reviewed by Joan Chissell in issue: 8/1994
Following my warm welcome to Onslow’s Piano Quintet in the July issue, here is another by him, with two others,...
Reviewed by Jeremy Nicholas in issue: 8/2007
At a time when classical recording companies have started to market Gregorian chant and the sequentia of Hildegard of Bingen...
Reviewed by mharry in issue: 9/1997
Richard Stoltzman’s Lutos¹awski‚ Nielsen and Prokofiev compilation is a fine achievement. He brings to the Nielsen Concerto both virtuosity and...
Reviewed in issue 13/2002
I once asked Holmboe why the four works Epitaph (1954), Monolith (1960), Epilog (1961-2) and Tempo variabile (1971-2), with their...
Reviewed in issue 9/1998
The unusual thing about this piano duet recording of Stravinsky is that Philip Moore has arranged the last three dances...
Reviewed by Peter Dickinson in issue: 2/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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