Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The ongoing Auvidis Gerhard series has not yet reached the string quartets, so it is good to have this Metier...
Reviewed by Arnold Whittall in issue: 13/1999
With this record, the fifth in his series, Malcolm Bilson completes his account on a fortepiano, with a period-instrument orchestra,...
Reviewed by Stanley Sadie in issue: 2/1987
Here, in these guitar works by, and in homage to, Joaquín Rodrigo, Tom Kerstens proves yet again to be a...
Reviewed by William Yeoman in issue: 6/2005
The vivacity, lilt and charm of Dvorak's Serenade for strings have earned the piece a firm place in the catalogue,...
Reviewed by Christopher Headington in issue: 4/1990
Hot on the heels of Sir Charles Mackerras's excellent Prague version of the Posthorn Serenade for Telarc comes this rival...
Reviewed by Edward Greenfield in issue: 1/1986
John Veale (b1922) began to make an enviable name for himself in the 1950s‚ but as a relatively conservative‚ tonal...
Reviewed in issue 9/2001
There have been surprisingly few recordings on period instruments of Mozart's chamber music, and especially of the chamber music with...
Reviewed by Stanley Sadie in issue: 8/1993
It was only last April that I was rejoicing at the arrival in the catalogue of Schumann's very rarely heard...
Reviewed by Joan Chissell in issue: 10/1991
How odd that Korjus appears in neither The New Grove Dictionary of Opera (Macmillan: 1992) nor the new Oxford Dictionary...
Reviewed by Alan Blyth in issue: 10/1993
Froberger is a favourite composer for many harpsichordists, the creator of a music whose irresistible dark melancholy and intoxicating expressive...
Reviewed by Lindsay Kemp in issue: 1/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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