Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Elizabeth Harwood died far too young in 1990 to the consternation of her many admirers. Although she features, among others,...
Reviewed in issue 3/1999
What is it to be? The Serenade for 13 Wind Instruments, or the Serenade for 12 Wind Instruments and Double...
Reviewed by Nalen Anthoni in issue: 13/2009
This classic set is very welcome back in the catalogue. It has always been held in higher esteem than the...
Reviewed by Alan Blyth in issue: 12/1994
Hard on the heels of (though recorded eight years earlier than) their fine Beethoven trios (EMI, 1/95) comes the Chungs'...
Reviewed by hfinch in issue: 4/1995
No wonder members of the audience demanded their money back, on the grounds of false prospectus, after enduring this travesty...
Reviewed by Alan Blyth in issue: 7/2003
All the Gubaidulina works on both these discs reveal a knife-edge judgement of the balance between substance and effect, an...
Reviewed in issue 11/1995
A delightful disc which looks like going straight into my end-of-the-year “Critics’ choice” list. Admittedly, it perpetuates the perception of...
Reviewed by Lionel Salter in issue: 10/1996
None of Rutland Boughton’s more than 100 songs is listed in the current catalogue, so this (at very least) breaks...
Reviewed by John Steane in issue: 10/2005
This disc handsomely fills an important gap in the catalogue. Per Norgard may not be the most prolific of composers...
Reviewed in issue 8/1993
It is a solid fact that the panpipes existed long before humankind reached its 'baroque' phase, as also that baroque...
Reviewed by John Duarte in issue: 5/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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