Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A single CD containing all the songs that Berg saw fit to publish would make a satisfying and fascinating collection,...
Reviewed by Michael Oliver in issue: 8/1993
This is a good pairing, since the song-cycle and the symphony are intimately connected thematically and emotionally. It is also...
Reviewed in issue 6/1988
The young Dutch soprano Johannette Zomer has a voice of a strikingly individual quality. How to describe it? Perhaps the...
Reviewed by Alan Blyth in issue: 3/2004
Whatever deficiencies the present-day Halle may have in performing post-1945 music I will leave others to fight over, but where...
Reviewed in issue 1/1992
Violin buffs with good memories or sizeable record collections will already know many of these pieces from old 78s. Nikolaj...
Reviewed by Rob Cowan in issue: 6/2003
Boult in Elgar on CD: the combination is irresistible, particularly when in addition to the symphony—at nearly 50 minutes a...
Reviewed by Edward Greenfield in issue: 10/1986
In an age when any recording of Beethoven's Fifth is little more than a blip on an accountant's screen, it...
Reviewed by Richard Osborne in issue: 11/1995
What is one to say about another well-tailored, good-mannered account of these Mozart arias? Though others hear her voice differently,...
Reviewed by Alan Blyth in issue: 10/1986
Lassus has always been somewhat selectively served on disc, and when this collection was recorded in 1979, it seemed in...
Reviewed in issue 12/1993
As RL remarked in his review of the LP last September, this Umea Concert Hall recording leans on the dry...
Reviewed in issue 9/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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