Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is extraordinary how some operas never receive satisfactory recordings while others never get poor ones. Ballo is happily in...
Reviewed in issue 11/1988
This could well represent the start of a new generation of Haydn symphony recordings, not just because Sir Simon Rattle...
Reviewed by Edward Greenfield in issue: 1/1996
The famous San Francisco group (12 singers‚ all male‚ covering just about four octaves from top to bottom) join forces...
Reviewed in issue 12/2001
Stravinsky made a number of violin and piano arrangements in the late 1920s for Paul Kochanski, but it was not...
Reviewed in issue 8/1989
These issues are welcome additions to the all-too-small discography of Krauss as an opera conductor. They also chronicle the union...
Reviewed by Alan Blyth in issue: 8/1996
This LP is from the series of records of British music by the Bournemouth Sinfonietta sponsored by Harveys of Bristol,...
Reviewed in issue 8/1984
Last year I reviewed a disc entitled ''English Mad Songs and Ayres'' (Dorian, 5/92) in which the 'mad' quotient was...
Reviewed by Lindsay Kemp in issue: 2/1993
Once it is accepted that this is going to be—pardon the cliche—old-fashioned classical-romantic Beethoven, there's a lot to enjoy here....
Reviewed by Stephen Johnson in issue: 12/1992
Ligeti's discovery, based on the merest hints in Bartok, of the rich musical seam of micropolyphony, has an assured place...
Reviewed in issue 10/1989
La Romanesca is a recently formed Spanish group which bears witness to the extraordinary surge of interest in early music...
Reviewed by Tess Knighton in issue: 11/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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