Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It was brave of the Orpheus Chamber Orchestra to launch their Strauss disc with one of his less obviously appealing...
Reviewed in issue 3/1993
Bach for the gamba comes in the form of three sonatas with obbligato harpsichord, a Brandenburg Concerto and a small...
Reviewed by Jonathan Freeman-Attwood in issue: 2/2000
A useful, chronologically diverse Bliss compendium. The earliest work here, the Introduction and Allegro, dates from 1926 and bears a...
Reviewed by Andrew Achenbach in issue: 9/1994
Whettam’s uncompromising approach to symphonic form has previously gone unrepresented on disc. This 1980 broadcast of his ‘largest and most...
Reviewed in issue 7/2001
It is, in fact, only a little under two years since I reviewed this LP of violin sonatas by Leclair....
Reviewed by Nicholas Anderson in issue: 1/1987
Recognisably breathing the same air as Stravinsky’s Firebird, Scriabin’s Poem of Ecstasy and Suk’s Asrael Symphony, Glière’s Il’ya Mouromets makes...
Reviewed by David Fanning in issue: 2/2003
Jochen Kowalski's extraordinary voice will be familiar to many readers: he is described on this disc as an alto, but...
Reviewed by Stanley Sadie in issue: 8/1994
Gregory the Great took a special interest in the English, having seen, when Abbot of a monastery in Rome, some...
Reviewed in issue 7/1998
More fruit from the Haydn anniversary harvest, with two intriguing programmes from players perhaps primarily known as harpsichordists. Each illustrates...
Reviewed by Harriet Smith in issue: 9/2009
Following his celebrated earlier discs of Beethoven, Mozart and Bach, 34-year-old Piotr Anderszewski turns to his greatest compatriot to give...
Reviewed by Bryce Morrison in issue: 12/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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