Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There is very little of Gottschalk’s piano music on CD that has not been recorded by Philip Martin‚ the ideal...
Reviewed in issue 13/2001
Bach clearly set great store by the Partitas, gathering them together as the first book of his Clavier-Ubung and publishing...
Reviewed by John Duarte in issue: 3/1986
The Prague Philharmonia was the brainchild of Jiří Bělohlávek, who founded the orchestra in 1994 and has recorded with it...
Reviewed by Rob Cowan in issue: 1/2011
Despite Nige’s assumed faux-uncouth persona, there is something inescapably endearing about him. It’s mainly down to that honest enthusiasm for...
Reviewed by bwitherden in issue: 9/2003
Not too long ago the supporters of the New Complexity and the New Simplicity (incorporating the Holy Minimalists) were regularly...
Reviewed by bwitherden in issue: 10/2005
I do feel that a distinction should be drawn between the rather ordinary works of Mendelssohn's early teenage period and...
Reviewed in issue 2/1989
Teldec have produced a gloriously warm and natural quality of sound for this disc, yet detail emerges with ideal clarity....
Reviewed in issue 1/1988
The story of Frederick Stock's career is extraordinary in its simplicity. He was born in Germany during 1872, studied at...
Reviewed in issue 2/1995
There is bound to be a spate of new Liszt recordings this year, which marks the centenary of the composer's...
Reviewed by James Methuen-Campbell in issue: 3/1986
It was father J. S. who initiated the emancipation of the keyboard in duo sonatas and the evidence, BWV1014-19, is...
Reviewed by John Duarte in issue: 12/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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