Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Only last July I was welcoming a Chandos recording of the two Prokofiev quartets by the Chilingirian, which I thought...
Reviewed by Robert Layton in issue: 10/1991
The Debussy Preludes: two collections of pieces, or should we think of each book as a cycle? A thoughtful note...
Reviewed by Stephen Plaistow in issue: 3/1989
Since Alfred Schnittke died in 1998 there seems to have been a certain winding-down of interest in his music (the...
Reviewed by Arnold Whittall in issue: 6/2004
EMI’s ‘Byron Janis: True Romantic’ provides an enthralling complement to the two instalments in Philips’s Great Pianists series (Vol. 1...
Reviewed by Bryce Morrison in issue: 10/1999
This issue of ‘named’ Beethoven sonatas provides an eloquent demonstration of Ivan Moravec’s fluent, passionate pianism. As Alena Nemcova points...
Reviewed in issue 1/1996
The Emerson Quartet’s expressive take on Haydn’s Seven Last Words comes with various details reinstated from the orchestral original, largely...
Reviewed by Rob Cowan in issue: 5/2004
The striking difference between this new Schiff version of Tchaikovsky's B flat minor Concerto and the recent Pogorelich account on...
Reviewed by Ivan March in issue: 10/1986
Corriam a festeggiar! In other words, “Roll up and celebrate”. An extraordinary feast, this, of, and for, young-and-old, but young...
Reviewed by John Steane in issue: 8/2010
The programme recorded by Thedéen and Pöntinen has already been powerfully and expressively recorded‚ a dozen years ago‚ by another...
Reviewed in issue 9/2002
The discovery of a twelfth Boccherini cello concerto in Naples spurred David Geringas on Claves and now Julius Berger to...
Reviewed in issue 9/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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