Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Clarinet Concerto of 1977 remains Corigliano's best-known piece with two recordings (New World/Koch International, 5/88; RCA, 4/89) and a...
Reviewed by Edward Seckerson in issue: 5/1991
Piston wrote his First Violin Concerto in 1939. It has been recorded at least once before now, surprisingly in England....
Reviewed by Ivan March in issue: 10/1999
If the shennanigans at the Royal Opera House, Covent Garden had happened 200 years ago we might even now be...
Reviewed by Richard Osborne in issue: 13/1999
This is the third record in which the Finzi Singers have linked Howells with one of his contemporaries, Vaughan Williams...
Reviewed in issue 6/1993
The pre-electrically recorded female voice is an instrument in its own right. If neither of the two representatives here is...
Reviewed in issue 1/1998
I still have certain reservtions about Haitink's broadening of some tempos in this re-make of his memorably cogent earlier recording...
Reviewed by Richard Osborne in issue: 9/1984
Ton Koopman’s quasi-chronological cantata series has now reached a point where the end of the first cycle of cantatas (composed...
Reviewed in issue 7/2001
Naxos knows what it is doing by placing the two Russian items and Elisabetta’s scena at the head of Marina...
Reviewed by Alan Blyth in issue: 7/2004
Opera Rara and Chandos's Opera in English series are two wings of one bird flying high in both of these...
Reviewed by John Steane in issue: 6/2000
Any chance of hearing this opera should be eagerly grasped. Even today it is vastly underrated. It deserves to rank...
Reviewed by Alan Blyth in issue: 10/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.