Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This two-disc reissue provides a touching and scintillating dual tribute to MacDowell’s often endearing romanticism, and to Eugene List’s early...
Reviewed by Bryce Morrison in issue: 5/1997
A successful CD of an interesting coupling. The balance of the soloist remains noticeably forward, the solo timbre very tangible...
Reviewed by Ivan March in issue: 4/1985
Beethoven’s Mass in C has long suffered, not just from comparison with the supreme Missa solemnis of some 10 years...
Reviewed by Edward Greenfield in issue: 11/2008
It seems good sense to couple the Boult versions of the last two symphonies; and also Nos. 4 and 6,...
Reviewed in issue 2/1987
Whether you find this programme annoyingly bitty or profoundly stimulating will be very much a matter of personal taste. The...
Reviewed in issue 10/1994
It’s always problematical when a new recording has to confront rivalry from an almost impossibly great benchmark – the de...
Reviewed by Rob Cowan in issue: 6/2011
How astonished Parry would have been, when he wrote that the Goldberg Variations had been ''hindered from being generally known...
Reviewed by Lionel Salter in issue: 1/1993
Jake Heggie’s first opera‚ to a libretto by Terence McNally‚ was given its world première at San Francisco in October...
Reviewed in issue 4/2002
Monserrat Figueras has made a huge and unexpected contribution to our enjoyment and understanding of early music. Here, on her...
Reviewed by mberry in issue: 10/2006
In many performances of the Bartok Solo Sonata its legendary difficulty is more apparent than its beauty and nobility: the...
Reviewed by Michael Oliver in issue: 12/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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