Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Rescued from oblivion, Henri Herz’s Piano Concertos Nos 1, 7 and 8 (amazingly, Volume 36 in this superb series) are...
Reviewed by Bryce Morrison in issue: 8/2004
David Alden’s staging of Ariodante was generally praised when it was first staged by WNO, a joint venture with ENO....
Reviewed by Alan Blyth in issue: /2000
Joan Chissell gave the LP a qualified but mainly enthusiastic welcome in April, and my reactions to the CD are...
Reviewed in issue 4/1986
Familiar as we are with Debussy's Petite Suite in its original form for piano duet and the orchestral version by...
Reviewed by Christopher Headington in issue: 6/1990
It takes a skilful conductor to make the German Requiem sound less than marmoreal; so it must be said straight...
Reviewed by Richard Osborne in issue: 3/1986
Frank Corsaro’s 1987 productions of Ravel’s one-act operas met with a somewhat mixed critical reception. Maurice Sendak’s pop-up children’s-book-style sets...
Reviewed by po'connor in issue: 1/2010
The rivalry between Muti and Abbado (DG), so close on LP, now transfers to CD. I suppose there has been...
Reviewed by Alan Blyth in issue: 1/1987
The Damask Drum was first performed by Finnish National Opera in April 1984. Its appearance on CD introduces us to...
Reviewed in issue 3/1990
How do you like your Bach? It really is down to a question of taste because no composer is more...
Reviewed by Nalen Anthoni in issue: 6/2000
Andreas Brantelid, yet another brilliant cellist of the younger generation, plays this attractive group of works with an exceptionally wide...
Reviewed by Edward Greenfield in issue: 7/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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