Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In 20 or so years of concert going I can truthfully say that I have only ever heard a piano...
Reviewed by James Methuen-Campbell in issue: 7/1989
Gardiner presents the three suites in what seems to be their logical order (F, G, D), corresponding to the sequence...
Reviewed by John Duarte in issue: 5/1993
Each constituent panel of the Trittico is so difficult to get right that an ideally satisfying complete recording is almost...
Reviewed by Michael Oliver in issue: 2/1991
Naxos have done it again. Once more they effectively challenge the hegemony of more prestigious companies that sell their wares...
Reviewed by Alan Blyth in issue: 7/1994
There are only two other versions of the Concerto currently available, by Geoffrey Tozer and Konstantin Scherbakov on Chandos and...
Reviewed by Jeremy Nicholas in issue: 11/2011
Christoph Graupner was the second of two preferred choices – Telemann was the first – of the Leipzig authorities for...
Reviewed by Nicholas Anderson in issue: 7/1999
There is pedigree aplenty here. Günter Wand, whose affinity for Bruckner in general and the Fourth Symphony in particular is...
Reviewed by Richard Osborne in issue: 3/2007
As with the opera itself, so with this recording: the defects must be got out of the way if one...
Reviewed by John Warrack in issue: 10/1996
Julia Cload's disc comes with a glowing tribute by the great Haydn scholar H. C. Robbins Landon: the sonatas, he...
Reviewed by Stephen Johnson in issue: 5/1990
When the signed commission for a Requiem arrived from the French government, Berlioz wrote to his sister: ‘At first my...
Reviewed by rnichols in issue: 1/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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