Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is Jukka-Pekka Saraste's debut on disc with the orchestra of which he is Principal Conductor, the Scottish Chamber Orchestra,...
Reviewed by Edward Greenfield in issue: 6/1988
From tempestuousness to rumination and all things in between; it’s a palette of feelings that requires to be confronted in...
Reviewed by Nalen Anthoni in issue: 1/2012
This represents very good value for money. In the black disc versions each work took up one-and-a-half sides; so the...
Reviewed by David Fallows in issue: 4/1986
Holzmair is a refreshing and challenging singer. He follows no known school and quite avoids the influence of Fischer-Dieskau. His...
Reviewed by Alan Blyth in issue: 9/1993
Although the Beethoven string quartets are generously represented on CD and there is even a version of the transcription of...
Reviewed by Robert Layton in issue: 3/1990
This performance marked the return of Bjorling to the Met after a wartime break of four years spent mostly in...
Reviewed by Alan Blyth in issue: 11/2000
Olli Mustonen’s music mirrors the keen-eared, eagle-eyed, fidgety pianistic talent that we already know from his recordings of, say, Bach...
Reviewed in issue 8/2001
Well-intentioned, unexceptional performances; excepting the missing 'introductory' four bars at the start of the symphony's first movement exposition repeat—the conductor's...
Reviewed by John Steane in issue: 3/1993
The booklet cover pictures Grainger in First World War khaki, a soprano saxophone slung around his neck—''musician, second class'' in...
Reviewed by Edward Seckerson in issue: 4/1991
La pietra del paragone was one of Rossini’s earliest smash-hits. First heard at La Scala, Milan in the autumn of...
Reviewed by Richard Osborne in issue: 6/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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