Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
''Orlando Gibbons is my favourite composer, always has been. '' The speaker is, of course, Glenn Gould whose pronouncements, musical...
Reviewed by Bryce Morrison in issue: 11/1993
Evelyn Glennie has never been afraid to take risks. Her concert programmes and recordings challenge the conventions of classical music...
Reviewed by mharry in issue: 9/2000
Following up their success with Dufay’s recently discovered Mass for St Anthony of Padua (Archiv, 9/96), Pomerium now present the...
Reviewed by David Fallows in issue: 10/1997
My initial impression of Freidemann Eichhorn’s playing – on an all-Piazzolla disc, also on Hänssler – was mostly unfavourable: his...
Reviewed by Andrew Farach-Colton in issue: 1/2010
Like its English counterpart, 17th-century French viol consort music is largely made up of fantasies and dances. Only a tiny...
Reviewed by Julie Anne Sadie in issue: 5/2010
Despite the choice of Stabat mater for its title, this disc owes its special attractiveness more to the programme as...
Reviewed by John Steane in issue: 7/2003
These players formed their ensemble in 1979, were awarded a Leverhulme Scholarship to study with Sidney Griller at the Royal...
Reviewed by Christopher Headington in issue: 1/1987
It seems that Opera Rara may have done it again. Convinced that many a plum still lies hidden in the...
Reviewed by John Steane in issue: 8/2008
It is an excellent idea to couple Bruch’s evocation of Scotland with Lalo’s of Spain, both works in unconventional five-movement...
Reviewed by Edward Greenfield in issue: 6/1997
Seeing Patrice Chereau’s riveting production of Wozzeck at the Staatsoper, Berlin, where the work had its premiere in 1925, adds...
Reviewed by Alan Blyth in issue: 5/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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