Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The most interesting comparison here is between Takuo Yuasa and Neeme Jarvi in Part’s granitic Third Symphony. The piece was...
Reviewed by Rob Cowan in issue: 3/2001
Few readings in recent years have been more assiduously toured or generally acclaimed than Wand’s Bruckner Eighth yet Wand himself...
Reviewed by Richard Osborne in issue: 1/2002
After Dong-Suk Kang, eminently satisfying on Naxos, to say nothing of the classic, long-breathed Kennedy (EMI) or before him, Heifetz...
Reviewed by Edward Seckerson in issue: 7/1992
Following in the wake of Hyperion’s marvellous surveys of Schubert and Schumann Lieder, here comes the even more welcome first...
Reviewed by John Allison in issue: 6/2005
Few composers concentrated so completely on writing operas as Puccini did, and all but one of the items on this...
Reviewed by Edward Greenfield in issue: 5/2004
Piero Coppola gained early conducting experience in his native Italy, but after the First World War settled in Paris and...
Reviewed in issue 9/1993
On the face of it the catalogue is not exactly crying out for this issue. But it turns out to...
Reviewed in issue 4/1992
If Bach had heard Thomas Quasthoff he might have considered making his Evangelist a baritone. Such is the telling presence...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2005
Rachmaninov once complained to his friend Alfred Swan about how much superfluous music there was in his early works, with...
Reviewed by John Warrack in issue: 7/1994
I wish I could be more welcoming. Morris, after all, gave us sterling service in the days when Mahler recordings...
Reviewed by Edward Seckerson in issue: 11/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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