Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is buried treasure indeed. Issued to celebrate the fiftieth anniversary of Jacqueline du Pre's birth in 1945 – a...
Reviewed by Edward Greenfield in issue: 11/1995
Two choral works by Kapellmeisters from the sumptuous court chapel of Dresden – a substantial but not terribly tragic Requiem...
Reviewed by Lindsay Kemp in issue: 7/1999
The composer and critic Ernest Reyer could see no sign of a ‘bold, innovative genius’ in La princesse jaune. He...
Reviewed by rnichols in issue: 2/2001
This disc, superbly recorded in the Henry Wood Hall in Glasgow, makes a most welcome addition to Naxos’s growing collection...
Reviewed by Edward Greenfield in issue: 6/1998
Zuill Bailey is a fine cellist. A virtuoso technique, strong, richly expressive tone and a bold, individual manner of playing...
Reviewed by DuncanDruce in issue: 5/2010
There is much to be said for not handling Mozart with kid gloves, not least in such uncomplicated music as...
Reviewed by Christopher Headington in issue: 12/1993
The name at least of the Irish composer Gerard Victory (1921-95) should be familiar to most readers. His voice is...
Reviewed in issue 6/1995
From now on, in reflection of the new Music Director, the regular record label for the Chicago Symphony Orchestra will...
Reviewed by Edward Greenfield in issue: 12/2000
A fabulous CD this, easily the best recording of Bloch’s chamber music I’ve heard in years, and that in spite...
Reviewed by Rob Cowan in issue: 12/2007
Entitled “French Etudes”, Margit Rahkonen’s recital of studies by Debussy (the complete set) and Saint-Saens (two tacked on as encores)...
Reviewed by Bryce Morrison in issue: 2/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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