Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Dazzlingly precocious, dead before his 20th birthday, Juan Crisóstomo de Arriaga (1806‑26) was, almost inevitably, dubbed ‘the Spanish Mozart’ –...
Reviewed by Richard Wigmore in issue: 13/2006
In many ways, the 34-year-old Turkish-born pianist Fazil Say is a throwback to an earlier pianistic age – not in...
Reviewed by K Smith in issue: 3/2004
Fine recordings of Prokofiev’s problematic Symphony-Concerto (misleadingly titled Sinfonia concertante by Channel Classics) continue to appear. This latest is in...
Reviewed by David Fanning in issue: 13/2009
There are marvellous things here, but also, I find, troughs of ordinariness which are difficult to understand. From the opening...
Reviewed in issue 11/1986
Stokowski in his ninety-third year—fiery, impulsive, provocative and above all, youthful. Listen to the coda of Brahms's first movement and...
Reviewed in issue 3/1995
For every new record of Haydn's piano music I suppose there must be half-a-dozen of Mozart's, at least. Alone among...
Reviewed by Stephen Plaistow in issue: 12/1986
An intimate peep into the domestic life of the Bach family is what makes Anna Magdalena's Notebook such a treasured...
Reviewed by Jonathan Freeman-Attwood in issue: 12/1994
Aristide Bruant wrote most of his songs for himself. As can be heard on many early discs, he declaimed them...
Reviewed by Patrick O'Connor in issue: 10/2003
Bach composed only one complete cantata for solo tenor: No 55. Taking the parable of the tribute-money as a starting-point...
Reviewed by Lindsay Kemp in issue: 12/2000
Prokofiev's Piano Concerto No. 3 has a more varied character than is sometimes assumed, and it is a strength of...
Reviewed in issue 12/1983
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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