Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Tchaikovsky's music has, over the years, suffered a pretty depressing catalogue of uses and abuses, but this collection makes partial...
Reviewed in issue 12/1993
This is the kind of issue likely to provoke knee-jerk reactions. If you like the Kronos Quartet and if you...
Reviewed in issue 11/1992
The first sounds on this record prove to be admirably representative of the whole—not extreme in dynamic contrasts, not particularly...
Reviewed in issue 8/1988
I'm sure quite a few collectors will have these two performances in their library already as part of the Gramophone...
Reviewed by Joan Chissell in issue: 4/1988
Two manuscripts contain most of what we know about Spanish polyphonic song between about 1450 and 1520. The earlier of...
Reviewed by David Fallows in issue: 7/1992
Great Brucknerian that he is, Wand has never managed to produce a Bruckner Seventh to set beside his own finest...
Reviewed by Richard Osborne in issue: 12/2000
This is workmanlike Mozart playing. Freshness and straightforwardness are the keynotes of the performance of the C major Concerto, K246,...
Reviewed by Christopher Headington in issue: 2/1990
This is not the first overdubbed Spem. The Kronos Quartet produced its own version many years ago, in which Tallis’s...
Reviewed by Fabrice Fitch in issue: 4/2006
This fourth issue in Mark Wigglesworth’s stop-go Shostakovich cycle is a worthy successor to earlier instalments. Fierce articulation at deliberate...
Reviewed by David Gutman in issue: 1/2006
This year’s Vienna New Year’s Day Concert confirmed the institution is in excellent health. The Vienna Philharmonic is still the...
Reviewed by Andrew Lamb in issue: 4/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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