Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The six-film collaboration between Karajan and French director Henri-Georges Clouzot in 1965-67 changed the way orchestral music was filmed for...
Reviewed by Richard Osborne in issue: 2/2011
Even though Zino Francescatti was still per-forming as recently as the mid-1970s, this 1945 Symphonie espagnole, his first concerto recording,...
Reviewed by DuncanDruce in issue: 9/1997
Maazel always sounds warmer, more relaxed this side of the Atlantic, and here he draws some splendid playing from the...
Reviewed by Ivan March in issue: 10/1998
According to the philosopher Ludwig Wittgenstein, “God is in the detail”. If any conductor could prove that true in Mahler,...
Reviewed in issue 6/1998
It scarcely seems necessary to write anything further about Casals's famous recordings of the Dvorak and Elgar concertos, which have...
Reviewed by Lionel Salter in issue: 8/1990
As with Vol. 1 of these Leclair concerto recordings favourably greeted by LK last August, only one work here also...
Reviewed by Lionel Salter in issue: 2/1995
Norman Dello Joio has had a productive obsession with Joan of Arc. This symphony started life as an opera, produced...
Reviewed by Peter Dickinson in issue: 9/1994
I reported in the April issue (page 24) on the premiere in Lahti of The Wood-Nymph (or “Skogsraet) and now...
Reviewed by Robert Layton in issue: 6/1996
Those of us lucky enough to have been at Hungary’s 1990 Interforum at Esterhaza will remember Norway’s not-long-founded Grieg Trio...
Reviewed by Joan Chissell in issue: 4/1996
This Brings the number of CD versions of the First Symphony Currently available to five, all of them having distinct...
Reviewed by Robert Layton in issue: 3/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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