Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Alessandro Scarlatti’s Missa breve, e concertata a cinque voci is a double-choir Mass that dates from his time as maestro...
Reviewed by David Vickers in issue: 12/2009
Wolfgang Schneiderhan’s first commercial recording of the Beethoven Concerto (under Paul van Kempen, for DG) was long considered a benchmark:...
Reviewed by Rob Cowan in issue: 12/2007
Ole Edvard Antonsen came to my attention, initially, in an accomplished disc of trumpet concertos with the English Chamber Orchestra...
Reviewed by Jonathan Freeman-Attwood in issue: 10/1994
If 20th-century American music currently has a better friend than Naxos I can’t think who it is. This volume in...
Reviewed by bwitherden in issue: 13/2004
The pictorial illustration chosen for the insert-notes is a detail from a Crucifixion by Grunewald, but it is a far...
Reviewed in issue 7/1995
This is not the first recording to focus on the music of Barbara Strozzi, but it is surely the most...
Reviewed in issue 10/1989
Still the supremely beautiful sound among tenors since Caruso's time still a completely distinctive character among singers; Gigli makes one...
Reviewed in issue 9/1988
Mattila’s new recital is notable for its exploration of some rarities in addition to more familiar repertory in the German...
Reviewed in issue 8/2002
A trim, at times, almost balletic Falstaff. If that seems a ludicrous contradiction, I should explain that it refers to...
Reviewed by John Steane in issue: 3/1991
This is the second recording of Bach's B minor Mass to be directed by Peter Schreier. The earlier one, on...
Reviewed by Nicholas Anderson in issue: 6/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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