Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The pearl of great price: the German tenor who could make you wish to retract all you ever thought, wrote...
Reviewed by John Steane in issue: 1/2011
The choice between the Gibson and Boult CDs, which have only the Pomp and Circumstance Marches in common, is difficult:...
Reviewed in issue 6/1987
A harsh critic might well point out that the first movement of Respighi's early Concerto in A minor makes only...
Reviewed by Michael Oliver in issue: 8/1994
For their first recording the Florilegio Ensemble from Italy have chosen a selection of pieces from a 15thcentury music manuscript...
Reviewed in issue 11/2001
Few composers can rival Ottorino Respighi in his exploitation of orchestral sound, not least in his arrangements of other composers'...
Reviewed by Edward Greenfield in issue: 1/2007
No one in his senses would settle down to listen to nine wind quintets plus three piano and wind quintets...
Reviewed by John Warrack in issue: 1/2007
This enterprising juxtaposition of preludes by Poland’s two leading composers is fluently played by Ewa Kupiec, a pianist praised by...
Reviewed by Bryce Morrison in issue: 9/1999
The music of Graham Fitkin (b. 1963) bears the stamp—often quite a heavy stamp—of his studies with repetitive music's European...
Reviewed by Arnold Whittall in issue: 6/1986
This may not be the Boulez record needed most urgently by students and admirers of his music: that would contain...
Reviewed by Arnold Whittall in issue: 2/1992
As in Eric Parkin's first volume of Poulenc pieces for Chandos (CHAN8637, 10/88), here again can be sensed this artist's...
Reviewed by Lionel Salter in issue: 12/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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