Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The transfer of this partially successful recital to CD has been accomplished with the usual increase in immediacy of sound...
Reviewed in issue 4/1985
Matthew Barley has chosen works by composers who usually present a stern face and, despite the inclusion of a piece...
Reviewed by bwitherden in issue: 3/2006
This is a winner; and it will add enormously to Andreas Scholl’s already enormous reputation. In the music of Oswald...
Reviewed by David Fallows in issue: 5/2010
Der Waffenschmied (or ‘The Armourer’) is one of Lortzing’s most congenial operas, produced in Vienna in 1846 and immediately successful....
Reviewed by John Warrack in issue: 3/2005
This is an attractive selection of late-baroque Italian concertos for oboe and strings. All but one of them are by...
Reviewed by Nicholas Anderson in issue: 2/1989
While any extra-musical concept underlying Haydn's Sturm und Drang symphonies may be vague, the works here frame a significant phase...
Reviewed by Richard_Whitehouse in issue: 5/2008
The music on this CD is beautiful, some of it comic, some of it elegiac; all of it almost unbearably...
Reviewed by po'connor in issue: 10/2007
The original soundtrack album of Jerry Goldsmith’s milestone score for Star Trek: The Motion Picture (1979) was, unfortunately, an abbreviated...
Reviewed by kmulhall in issue: 5/1999
The centenary of Franck's death seems to have sparked off a spate of new recordings of his organ music, already...
Reviewed by Marc Rochester in issue: 6/1990
At first glance, I thought our esteemed reviews editor had sent me a book to review: a hardback (conventional paperback...
Reviewed by Jeremy Nicholas in issue: 10/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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