Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These early Latin songs from the repertoire of some unknown 10th or 11th century Rhineland harper are drawn mainly from...
Reviewed by mberry in issue: 12/2004
The best recordings of Bartok's Sonata for Two Pianos and Percussion have a way of vanishing from the catalogue-—we currently...
Reviewed in issue 4/1993
Let’s get the bean-counting out of the way first: this new recording retains the high-notated pitch-level for the “Lauda Jerusalem”...
Reviewed by Fabrice Fitch in issue: 4/2008
There is a notable realism about this recording (by Bob Auger), the soloist sounding as he would in a concert-hall...
Reviewed by Lionel Salter in issue: 2/1992
A generation of opera lovers must have now grown up who know little or nothing of Rita Gorr's generous art,...
Reviewed by Alan Blyth in issue: 2/1986
Caldara, a contemporary of Vivaldi, worked first in his native Venice, then in Rome until 1716 when, in mid-career, he...
Reviewed in issue 1/1998
The early piano quartets of 1785, written in Bonn, occupy the first CD, and come from the original bicentenary Beethoven...
Reviewed by Robert Layton in issue: 13/1997
A well-balanced Sibelius programme, a thoroughbred Scandinavian orchestra, and a conductor with energy, flair and the ability to look at...
Reviewed by Stephen Johnson in issue: 9/1997
This issue duplicates Maryvonne le Dizes-Richard's programme on Adda/Gamut but in every way surpasses it in quality, and for good...
Reviewed in issue 4/1991
Not having previously heard any Mercury CDs, I found that even the enthusiastic comments of fellow-reviewers had left me unprepared...
Reviewed by Andrew Lamb in issue: 3/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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