Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Nina Rautio and Ilya Levinsky join Sergei Leiferkus (who featured in Vol. 1, 8/96) in Conifer’s survey of all Tchaikovsky’s...
Reviewed by John Warrack in issue: 1/1997
Frans Brdggen and his Orchestra of the Eighteenth Century follow their largely successful Philips recording of Haydn's Symphonies Nos. 90...
Reviewed by Nicholas Anderson in issue: 1/1989
The supposedly minor works of the misleadingly so-called verismo school have a pretty hard time of it. For the performance...
Reviewed by Michael Oliver in issue: 3/1990
Steven Spielberg has already viewed the Second World War through the prism of personal biography (Schindler’s List), paranoid farce (1941)...
Reviewed by kmulhall in issue: 12/1998
Most of the Academy hallmarks are here – bright toned vigour, enlivening animation – with Marriner’s ‘going for it’ only...
Reviewed by John Steane in issue: 13/1998
It seems to be the way of the world that, after a decent period of mourning following their deaths, composers...
Reviewed by John Duarte in issue: 11/1991
Music-making of crisp discipline and unswerving dedication, very well recorded (the sessions in fact date from 1985). The Bartok is...
Reviewed by Andrew Achenbach in issue: 12/1998
Mark Bebbington’s 85th-birthday tribute to the late Sir Malcolm Arnold starts with his first substantial piano composition, the Piano Sonata...
Reviewed by Andrew Achenbach in issue: 2/2007
This delicate, elegiac opera is still too little known. In spite of its broken-backed libretto, based very loosely on Shakespeare,...
Reviewed by Alan Blyth in issue: 3/1992
A useful disc. Born in New York, Eugenie Russo has studied under (amongst others) Elisabeth Leonskaja in Salzburg and Hans...
Reviewed by Andrew Achenbach in issue: 9/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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