Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When I reviewed Lisa Batiashvili’s memorable Proms performance of Beethoven’s Violin Concerto some eight years ago (she was just 20...
Reviewed by Rob Cowan in issue: 1/2008
The Houghton Chapel of Wellesley College is nowhere near as resonantly spacious as the Oude Kerk in Amsterdam, but its...
Reviewed by prussell in issue: 2/1995
Harry Christophers and The Sixteen (18 this time) have chosen two of the most popular late Baroque choral works for...
Reviewed by Nicholas Anderson in issue: 12/1992
This new recording of the three Byrd Masses, the fifth release in The Byrd Edition from The Cardinall’s Musick, is...
Reviewed by mberry in issue: /2000
As Blandine Verlet said to me some years ago, “You don’t play Scarlatti, you play with him”; she was clearly...
Reviewed by John Duarte in issue: 13/1998
Anyone who was fortunate enough to have attended the 2000 Prom where 22-year-old, Georgian-born Elisabeth Batiashvili played Beethoven’s Violin Concerto...
Reviewed in issue 8/2001
With the Violin Concerto for once not coupled with another violin work, this makes a unique and imaginative Sibelius issue,...
Reviewed by Edward Greenfield in issue: 10/2000
The amiable Schubert sonata is familiar to us in this cello and piano guise, rather than the very occasional airings...
Reviewed in issue 8/1985
Carefully chosen, ‘themed’ recitals are always welcome. Yet it’s far from easy to get the packaging right. Michelle Makarski’s outstandingly...
Reviewed in issue 7/1997
Flautists have often adapted the Franck Violin Sonata but Emmanuel Pahud goes further in taking over Richard Strauss’s early Violin...
Reviewed by Edward Greenfield in issue: 12/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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