Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There is certainly room for a new recording of L’amore dei tre Re, but this is not it. Completed for...
Reviewed in issue 11/1999
For one so prominent in 18th-century violin music, Tartini is still quite a shadowy figure. The posthumously published Devil’s Trill...
Reviewed by Lindsay Kemp in issue: 2/2009
This coupling of Romantic cello sonatas performed by two gifted young artists may satisfy all but connoisseurs of Chopin and...
Reviewed in issue 7/2002
An earlier EMI Debut CD was auspicious but this new coupling confirms Sergey Khachatryan as among the most compelling players...
Reviewed by Rob Cowan in issue: 1/2004
Valentin Katayev’s tale of a local hero getting his girl despite strife with a prospective in-law is the kind of...
Reviewed by David Fanning in issue: 7/2000
Is it or isn’t it? Adam Guettel’s Tony Award-winning score is the latest in a decade-long tradition of American through-composed...
Reviewed by K Smith in issue: 11/2005
I am sure that readers will understand that, much as I appreciate Beethoven's Triple Concerto (and I have expressed my...
Reviewed in issue 6/1986
Siegfried Wagner wrote the text and the music for 15 operas in all‚ and with the goodnatured patience he inherited...
Reviewed in issue 13/2002
The theme of these four works from Bach’s second cycle of cantatas at Leipzig is almost universally concerned with the...
Reviewed by Jonathan Freeman-Attwood in issue: 7/2006
Marvellously sensitive, uncommonly assured performances of some ravishing repertoire. Both the Fantasy Sonata for viola and harp (1927) and Sonata...
Reviewed by Andrew Achenbach in issue: 8/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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