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Review of Violonchelo Español

Violonchelo Español

The alternative Spanish spelling of ‘violonchelo’ signals an attractive sequence of musical lollipops with a strong Spanish flavour. This is...

Reviewed by Edward Greenfield in issue: 8/2006

Review of Bach Violin & Keyboard Sonatas, Volume 3

Bach Violin & Keyboard Sonatas, Volume 3

Ruth Waterman and Morey Ritt have not exactly rushed to complete their recording of the Bach violin sonatas on modern...

Reviewed by Lindsay Kemp in issue: 3/2001

Review of Luz Y Norte

Luz Y Norte

Ruiz de Ribayaz was a seventeenth-century Spanish priest whose only surviving work is the Luz y norte (“A Lantern and...

Reviewed in issue 1/1996

Review of Nielsen Symphony No 4; Sibelius Symphony No 3

Nielsen Symphony No 4; Sibelius Symphony No 3

Each of these performances makes a heavier entrance than in any modern recording. But not many bars have gone by...

Reviewed by David Fanning in issue: 12/2007

Review of Bruckner/Mahler Symphonies

Bruckner/Mahler Symphonies

A boon for the Barbirolli fanatic, this dangerously early account of Mahler’s Seventh is worlds away from the typical modern...

Reviewed by David Gutman in issue: 7/2000

Review of Sheppard English & Latin Church Music

Sheppard English & Latin Church Music

This enjoyable recording opens with two works in English which were probably written within days of John Sheppard’s early death,...

Reviewed by Fabrice Fitch in issue: 9/1996

Review of Handel Suites for Harpsichord

Handel Suites for Harpsichord

These are Handel's so-called great suites. And great they are, with characteristically individual and diverse structures, getting away from the...

Reviewed by Lionel Salter in issue: 12/1995

Review of Bach Choral Works

Bach Choral Works

Vol 35 of Masaaki Suzuki’s consistently distinguished Bach cycle takes us to May 1725 and four cantatas with commissioned texts...

Reviewed by Jonathan Freeman-Attwood in issue: 9/2007

Review of Mozart Piano Sonatas Vol 1

Mozart Piano Sonatas Vol 1

Andreas Haefliger aims for more than polite elegance. He tries to engage with the music; and his finger and pedalling...

Reviewed by Nalen Anthoni in issue: 11/2003

Review of Klemperer conducts Gluck/Beethoven/Berlioz

Klemperer conducts Gluck/Beethoven/Berlioz

Beecham's Symphonie fantastique was recorded in Paris in 1958, Klemperer's in London in 1963. Each performance is by a great...

Reviewed by John Warrack in issue: 8/1992


 

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