Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The alternative Spanish spelling of ‘violonchelo’ signals an attractive sequence of musical lollipops with a strong Spanish flavour. This is...
Reviewed by Edward Greenfield in issue: 8/2006
Ruth Waterman and Morey Ritt have not exactly rushed to complete their recording of the Bach violin sonatas on modern...
Reviewed by Lindsay Kemp in issue: 3/2001
Ruiz de Ribayaz was a seventeenth-century Spanish priest whose only surviving work is the Luz y norte (“A Lantern and...
Reviewed in issue 1/1996
Each of these performances makes a heavier entrance than in any modern recording. But not many bars have gone by...
Reviewed by David Fanning in issue: 12/2007
A boon for the Barbirolli fanatic, this dangerously early account of Mahler’s Seventh is worlds away from the typical modern...
Reviewed by David Gutman in issue: 7/2000
This enjoyable recording opens with two works in English which were probably written within days of John Sheppard’s early death,...
Reviewed by Fabrice Fitch in issue: 9/1996
These are Handel's so-called great suites. And great they are, with characteristically individual and diverse structures, getting away from the...
Reviewed by Lionel Salter in issue: 12/1995
Vol 35 of Masaaki Suzuki’s consistently distinguished Bach cycle takes us to May 1725 and four cantatas with commissioned texts...
Reviewed by Jonathan Freeman-Attwood in issue: 9/2007
Andreas Haefliger aims for more than polite elegance. He tries to engage with the music; and his finger and pedalling...
Reviewed by Nalen Anthoni in issue: 11/2003
Beecham's Symphonie fantastique was recorded in Paris in 1958, Klemperer's in London in 1963. Each performance is by a great...
Reviewed by John Warrack in issue: 8/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.