Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Peter Sculthorpe, 70 this year, has been writing quartets since his student days in Melbourne. These striking works, except No....
Reviewed by DuncanDruce in issue: 9/1999
I no longer possess a copy of either original but have the Sibelius in a later 1972 LP pressing. The...
Reviewed by Robert Layton in issue: 6/1988
Gardiner here follows up his previous Philips Berlioz recordings with the Orchestre Revolutionnaire et Romantique – the Symphonie fantastique (6/93)...
Reviewed by Edward Greenfield in issue: 8/1996
Stephen Kovacevich’s EMI recordings of Beethoven’s last two sonatas (2/04) were marked by their breadth, colour, and improvisatory spirit. These...
Reviewed by Jed Distler in issue: 4/2006
Alexis Weissenberg studied with Wanda Landowska and I recall that some of the 15 sonatas in this varied recital are...
Reviewed by Stephen Plaistow in issue: 6/1986
Famous recordings in their day, and still holding their own, though if recorded again today there would doubtless be fewer...
Reviewed in issue 8/2001
Once described as the greatest of all variation sets, Beethoven’s Diabelli Variations are wonderfully mysterious: they reveal their inexhaustible secrets...
Reviewed by Tim Parry in issue: 7/1997
Cage's Concert for Piano and Orchestra is sometimes mistakenly called a concerto. Nothing could be further from the situation envisaged...
Reviewed by Peter Dickinson in issue: 12/1993
Frans Bruggen’s Schubert is not out to prove anything, unless it is that the use of period instruments need not...
Reviewed by John Steane in issue: 7/1996
Rachmaninov may have once called this ''a concerto for elephants'', but that has not prevented pianists of more modest physique...
Reviewed in issue 9/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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