Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Every recording of Parsifal has brought out the best in its interpreters, so that, while I remain loyal to the...
Reviewed by Alan Blyth in issue: 9/1986
Respighi wrote these three scores as a triple bill for Ileana Leonidov, a Russian dancer (''of exceptional beauty but limited...
Reviewed by Michael Oliver in issue: 11/1992
My only small criticism of this CD reissue of Sir Colin Davis's admirable Werther is the break point between the...
Reviewed by hfinch in issue: 2/1987
A new brand of concert music is sweeping the US circuit, where Richard Danielpour is among the most sought-after composers...
Reviewed in issue 9/1997
The songs of Guastavino were brought back home with him by Frederick Fuller in the 1940s but have been slow...
Reviewed in issue 1/1994
“Dream the dream”, it says on the album sleeve and indeed all the publicity for the 25th anniversary production and...
Reviewed by Edward Seckerson in issue: 12/2010
My thoughts on this recital are substantially those of JBS when reviewing the LP last December, though were I doing...
Reviewed by Alan Blyth in issue: 8/1984
Here, remarkably, are Maurizio Pollini’s first thoughts on the Chopin Etudes. Recorded by EMI in 1960, the genesis of this...
Reviewed by Bryce Morrison in issue: 1/2012
Such is the continuing vogue for the musical world’s favourite religio-minimalist that it seems even his slightest creations have been...
Reviewed by David Fanning in issue: 4/2008
After recent British and Finnish takes on Piazzolla for quintet and accordion, here is a disc of (mostly) arrangements for...
Reviewed by Guy Rickards in issue: 9/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.