Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
From those of its recordings which I have heard, I judge that the Montreal Symphony Orchestra has become a world-class...
Reviewed in issue 4/1987
For all that this Serenade is becoming one of the most recorded of Mozart's works, there are still mysteries surrounding...
Reviewed by Stanley Sadie in issue: 3/1989
Five years after his death it is agreeable that William Lloyd Webber—the one who started it all—should have a record...
Reviewed in issue 9/1987
Chandos have been doing John Ireland proud over the last few years, and Richard Hickox's new anthology is well up...
Reviewed by Andrew Achenbach in issue: 11/1995
Menotti’s The Consul opened on Broadway in 1950 and in a sense it still belongs there. Menotti would not agree....
Reviewed by Edward Seckerson in issue: 5/1999
Roger Sessions (1896-1985) is a composer of far greater importance than the rare occurrence of his name on concert programmes...
Reviewed by Michael Oliver in issue: 10/1987
The “tango tsigane” Jealousy (1925) will be known to all, even if Jacob Gade’s name is not. His other pieces,...
Reviewed in issue 9/1998
Sabine Meyer's performances come up well on CD, with a good clean sound and the warmth and smoothness of acoustic...
Reviewed by John Warrack in issue: 4/1987
Kurt Mazur has made some excellent recordings of Liszt's orchestral works where the music has been nobly served by his...
Reviewed in issue 8/1986
This is one of the most exciting archival releases in recent years. The source is a collection of privately made...
Reviewed by John Steane in issue: 8/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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