Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Glinka gets far more lip service than proper appreciation in this country, and this attractive record should do something to...
Reviewed by John Warrack in issue: 10/1986
As that time-honoured cliche suggests, one cannot judge a book, or indeed a CD, by its cover, and the rather...
Reviewed by mjameson in issue: 9/1992
These recordings are taken from airchecks of CBC radio broadcasts - in other words, as archival recordings made as the...
Reviewed by Tim Parry in issue: 4/2000
Caspar Richter offers a third volume of Korngold with his fresh-faced band, who give a polished and affectionate performance of...
Reviewed by Andrew Achenbach in issue: 3/2003
Although not the longest work on offer here, pride of place goes to the earliest of them, Martinu’s Third Sonata...
Reviewed by Guy Rickards in issue: 12/2008
Jarvi's Brahms symphony cycle ends with a version of Symphony No. 1 recorded at earlier sessions than the three later...
Reviewed in issue 5/1989
As one of the most prominent defectors from the avant-garde in the 1970s, and as one of the most award-decorated...
Reviewed by David Fanning in issue: 11/2011
It is good to welcome a new recording of this seriously neglected opera. While it can never match the mastery...
Reviewed by Edward Greenfield in issue: 13/2006
This third disc in Chandos’s Grainger series (the first two were reviewed in 11/96) brings another triumph for Richard Hickox,...
Reviewed by Edward Greenfield in issue: 1/1997
It is amazing to me that it is already over 12 years since Krystian Zimerman won the Warsaw Chopin Competition....
Reviewed by James Methuen-Campbell in issue: 7/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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