Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With so many Shostakovich quartet integrales in progress, the cycle looks set to overtake Bartok’s as the twentieth century’s most...
Reviewed in issue 11/1999
Saint-Saëns’s Organ Symphony would be one of my desert island discs, and even here on the mainland it is a...
Reviewed by Geoffrey Norris in issue: 9/2011
The posthumous reputation of Florent Schmitt (1870‑1958), a respected outsider in French music, rests on works from early in his...
Reviewed by kYlzrO1BaC7A in issue: 4/2007
Turning up the files to see what the press had to say about the occasion, I found the Daily Telegraph...
Reviewed in issue 4/1985
For myself there is only one Fedora (and of course I’m aware that from some quarters will come the instant...
Reviewed by John Steane in issue: 3/2011
To have Callas, the most flashing-eyed of all sopranos as Turandot, is—on record at least—the most natural piece of casting....
Reviewed by Edward Greenfield in issue: 11/1987
Ashkenazy's first shot at Shostakovich is close to a bull's-eye. At least by comparison Bychkov (Philips) scores no better than...
Reviewed in issue 6/1988
Older hands may expect a heavier sonority in this music, the kind of sonic punch delivered by Ormandy and Previn,...
Reviewed by David Gutman in issue: 2/2007
This is the second of two CDs of Corelli's Opp. 3 and 4 Trio Sonatas played by the Purcell Quartet...
Reviewed in issue 8/1993
The 1971 Broadway revival of Vincent Youmans’s landmark 1920s musical was a great success. Offering a stark contrast to shows...
Reviewed by Andrew Lamb in issue: 9/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.