Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The born-again New Queen's Hall Orchestra and Barry Wordsworth were first in the field with a whole disc of period...
Reviewed by John Steane in issue: 11/1995
Buxtehude’s mesmerising Passion cantata cycle Membra Jesu nostri (1680) has been recorded frequently by forces either intimate (one voice per...
Reviewed by David Vickers in issue: 3/2011
Leila Josefowicz gives an effective shape to the Concerto’s soliloquising first movement where Maxim Vengerov creates a more powerful but...
Reviewed by Peter Quantrill in issue: 7/2006
Given that line is as important to Berio as to Bellini, it’s not surprising that he has written relatively little...
Reviewed by Arnold Whittall in issue: 10/1997
Here's another piece of operatic history preserved for posterity. This performance, in German, is a record of the cast to...
Reviewed by Alan Blyth in issue: 11/1990
Given first in the new Coventry Cathedral, the monodrama gained a sequence of motets in York and in this version...
Reviewed in issue 13/1998
On this CD you will find some of the most compelling singing of late 18th-century operatic music that you are...
Reviewed by Stanley Sadie in issue: 2/2002
At the chill opening of Jarvi's fine new version of Alexander Nevsky one can really feel the bitter wind of...
Reviewed by Ivan March in issue: 5/1988
Per Vollestad is a young Norwegian baritone with a voice peculiarly similar to that of Hakan Hagegard. It is a...
Reviewed by Alan Blyth in issue: 11/1989
The Choirmaster's Companion (a suppositious, non-existent publication as far as I know) must contain a sentence or two on hymns:...
Reviewed in issue 7/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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