Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Oehms Classics’ Debut series spotlights artists who have “proven their ability at major competitions and repeatedly demonstrate their exceptional artistic...
Reviewed by Jeremy Nicholas in issue: 10/2007
Sounding both cleaner and warmer than on either of its two previous CD reincarnations Barbirolli's memorably affectionate 1965 account of...
Reviewed by Andrew Achenbach in issue: 12/1994
Nicholas Hooper is not yet well known, even within the world of the guitar, but this recording suggests that he...
Reviewed by John Duarte in issue: 5/1989
Dutoit adds to his anthology of Stravinsky recordings with this exceptionally generous and well-planned coupling, one which firmly keeps Apollon...
Reviewed by Edward Greenfield in issue: 9/1994
Cesar Cui was a notoriously sharp critic, less acute as a self-critic. Many of these Preludes are charming, but it...
Reviewed by John Warrack in issue: 11/1994
When European-born conductors of similar origin to George Szell take charge of an American orchestra, as Szell did in Cleveland...
Reviewed in issue 10/1987
Written for a premiere in Rome at a time when the city was seething with nationalist and republican passions, an...
Reviewed in issue 11/1989
In considering these five recordings of Handel's Messiah, only one of which—the least enticing—is new to the Gramophone Compact Disc...
Reviewed by Ivan March in issue: 11/1990
The Raphael Quartet are clearly keen to make out a case for Mendelssohn's string quartets, which are indeed still too...
Reviewed by John Warrack in issue: 11/1989
''Women always betray themselves in their compositions, and this is true of myself as well as others'', so Clara Schumann...
Reviewed by Joan Chissell in issue: 3/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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