Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Besides the two Rondos in A and D, the three Marches militaires and the F minor Fantasia included by Pires...
Reviewed by Joan Chissell in issue: 1/1990
With the magnificent Elgar Edition now deleted by EMI – three volumes of three discs each – it is good...
Reviewed by Edward Greenfield in issue: 8/2000
Attempts to ‘translate’ Tolstoy’s psychological masterpiece into other media have had varying degrees of failure: from the truly dismal Garbo...
Reviewed in issue 7/1996
Helmuth Rilling made his first recording forays into Bach’s secular cantatas and drammae per musicae in the mid to late...
Reviewed by Nicholas Anderson in issue: 11/1998
Three of the four song-cycles on this latest helping of Alwyn from Naxos set words by the Tyneside-born poet Michael...
Reviewed by Andrew Achenbach in issue: 5/2008
Though by no means a luminary like Rachmaninov, Grieg was an accomplished pianist known to have been contemplating a second...
Reviewed by Joan Chissell in issue: 4/1997
Although not widely known outside his native country, Magnar Åm is one of Norway’s most distinguished composers, whose output includes...
Reviewed by Guy Rickards in issue: 5/2009
The growth of interest in Zemlinsky's music over the past decade or so, which recordings have done much to promote,...
Reviewed by Arnold Whittall in issue: 8/1989
The musical sleight of hand used by these expert players to focus the very different character of each sonata is...
Reviewed by Rob Cowan in issue: 10/2010
Following up the success of the Auracle LP of Colin Matthews's chamber music (AUC1007, 6/86), Unicorn-Kanchana give us the chance...
Reviewed in issue 1/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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