Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Any lover of Romantic orchestral music who might think of the violin and piano duo as a spare‚ ascetic medium...
Reviewed in issue 3/2002
This is an outstanding version of Bruckner's Ninth Symphony—and no surprise, given Barenboim's evident sympathy for the work in concert...
Reviewed by Richard Osborne in issue: 10/1991
If anything were going to convince me of the justice of George Bernard Shaw’s remark that Rossini was ‘one of...
Reviewed by Richard Osborne in issue: 2/2001
Catherine King, like many others, sometimes seems reluctant to disturb the liquid flow of her lines with consonants sufficiently explosive...
Reviewed by John Duarte in issue: 9/1999
Frank Kermode's text for the song-cycle Sing, Ariel is an achievement in itself: fragments of Auden, Shakespeare, Yeats, Pound, Hardy,...
Reviewed by Stephen Johnson in issue: 9/1993
The text for Il pianto degli angeli della pace (1751) speaks of blood and violence, but the Introduction only hints...
Reviewed by Nalen Anthoni in issue: 2/2005
There seem to be two schools of thought among conductors about how long the first movement of the Franck Symphony...
Reviewed by Michael Oliver in issue: 8/1987
The luminous colours and weightless harmonies of The Firebird sit more comfortably with the cultured Concertgebouw than the hard-edged primitivism...
Reviewed by Edward Seckerson in issue: 9/2008
EMI’s British Composers series already lists Sir Charles Groves’s own distinguished RLPO version of Morning Heroes, with John Westbrook an...
Reviewed by Andrew Achenbach in issue: 13/1997
It cannot be easy to assemble repertory for the so-called Cinderella of string instruments, but this collection of music from...
Reviewed by Stanley Sadie in issue: 11/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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