Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These performances, at once lively and refined, benefit from the extra touch of clarity that CD has to offer. Comparing...
Reviewed by Stanley Sadie in issue: 4/1986
This coupling of the Mozart wind Sinfonia Concertante with the Haydn Sinfonia Concertante, also involving four soloists (two of them...
Reviewed by Edward Greenfield in issue: 11/1987
Hawick-born Francis George Scott (1880‑1958) was essentially self-taught as a composer, intially studying English at Edinburgh University and only belatedly...
Reviewed by Andrew Achenbach in issue: 8/2007
Once a rarity in both concert hall and recording studio, these days Strauss’s Alpine Symphony is positively ubiquitous, accommodating –...
Reviewed by David Gutman in issue: 4/2010
Another month, another Kullervo…After Robert Spano's Atlanta recording gave us Sibelius's early nationalist pot-boiler in Telarc's signature “pure spring water”...
Reviewed by Peter Quantrill in issue: 2/2007
Much of this music dates from the years during which Richard Lloyd was organist at Durham Cathedral. But unlike so...
Reviewed by Marc Rochester in issue: 2/2007
These outstanding soloists from the Berlin Philharmonic, including the oboist Hansjorg Schellenberger and the clarinettist Karl Leister, give satisfyingly clean...
Reviewed by Edward Greenfield in issue: 11/1985
With several fine complete sets of the Preludes and Etudes-tableaux on the market there is room for an intelligently planned...
Reviewed by Bryce Morrison in issue: 10/1994
If the quality of finesse lies at the centre of Debussy's art, then Alain Planes's performance, for all its underlying...
Reviewed by Bryce Morrison in issue: 2/2000
I wrote about the composer's own fine Lyrita recordings of the Second Symphony as recently as last October. That disc...
Reviewed by Ivan March in issue: 2/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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