Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Whether it is good tactics or even good manners to appeal directly to the reader I am never quite sure‚...
Reviewed in issue 3/2002
There have been times when less of Constant Lambert than of Frank and Michel of that name has shown up...
Reviewed in issue 10/1992
This is one of the most beautiful recordings of piano sound that I have heard on CD. It is not...
Reviewed by Michael Oliver in issue: 8/1986
On the face of it, this album has got a lot going for it. As ever the Emerson Quartet are...
Reviewed by mharry in issue: 6/1998
It is most unlikely that Lachrimae was intended to be performed in its entirety, with all items played in their...
Reviewed by John Duarte in issue: 2/2004
These recordings show us the same conductor at work on the music of one composer over a period of 15...
Reviewed by mberry in issue: 4/1989
All but one of these compositions, inspired by poems, set the words. The booklet makes much of the light which...
Reviewed by bwitherden in issue: 3/2003
This newest disc in John Eliot Gardiner's Philips series of the late Mozart symphonies will not disappoint those who have...
Reviewed by Stanley Sadie in issue: 9/1989
The great surprise for me in the Decca collection is Jard van Nes's superb performance of the Alto Rhapsody. When...
Reviewed in issue 8/1990
Having given us superb accounts of Tchaikovsky’s Third Suite and two Shostakovich symphonies (5/06 and 7/06), these artists seem less...
Reviewed by David Gutman in issue: 1/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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