Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Shostakovich’s songcycles are rare enough visitors to the CD catalogue‚ and the greater part of this new disc has no...
Reviewed in issue 5/2002
The much-acclaimed ASV Ludford project continues with Vol. 3 and two five-voice works, the motet Domine Jesu Christe and the...
Reviewed by Fabrice Fitch in issue: 7/1994
Chandos and the Sir Arnold Bax Trust continue their immense service to this British composer with this important disc containing...
Reviewed in issue 4/1991
With Walton's three brilliant comedy overtures Portsmouth Point, Scapino and the Johannesburg Festival, providing the cornerstone, this makes a delightful...
Reviewed by Edward Greenfield in issue: 11/1991
So far, Leclair seems hardly to have caught public attention in this, the tercentenary year of his birth. A well-played...
Reviewed by Nicholas Anderson in issue: 7/1997
Jack Brymer, who contributes admirable insert-notes to this CD (though they weren't properly proof-read), calls the present performances ''superb'', and...
Reviewed by Lionel Salter in issue: 8/1992
The programme here has an identity of its own and as such is without competitors. Its ‘theme’ is to collect...
Reviewed by John Steane in issue: /2000
During the last few years Rinaldo Alessandrini and the Concerto Italiano have acquired a formidable reputation, above all for their...
Reviewed by Iain Fenlon in issue: 7/1996
Two or three minutes into the first movement of the First Concerto and I had already forgotten such concepts as...
Reviewed in issue 6/1996
Leoncavallo is said to have composed his most famous song, Mattinata, especially for The Gramophone Company, and Caruso’s disc with...
Reviewed by Patrick O'Connor in issue: 8/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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