Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Bells – though not the Westminster Chimes, which emanate from another part of the borough – accompany the opening of...
Reviewed in issue 11/1999
Alan Bennett observed that “if you live to be 90 in England and can still eat a boiled egg they...
Reviewed by Jeremy Nicholas in issue: 8/2008
It would be hard to think of a trio of works better suited to opening the door of Bach's treasure...
Reviewed by Nicholas Anderson in issue: 7/1990
Leonardo García Alarcón uses plenty of unsupportable sweeping statements to claim that Judas Maccabaeus deserves to be resurrected up to...
Reviewed by David Vickers in issue: 8/2010
As with Iernin, George Lloyd's other recently recorded opera (Albany, 9/94), the heart goes out to it: that is to...
Reviewed in issue 1/1995
This disc very usefully contains all the Holst recordings made for Lyrita by Sir Adrian (with the exception of an...
Reviewed in issue 7/1992
Capriccio have looked after the interests of Carl Philipp Emanuel Bach generously if not always discerningly in its 14 volume...
Reviewed in issue 10/1988
Zimmermann's searing melodrama is based on an 18th-century play, but its emphasis on social decadence and militaristic brutalisation has obvious...
Reviewed by Arnold Whittall in issue: 4/2008
I like the story, quoted in the sleeve-note here, of Stravinsky being asked if Schubert's prolixities did not put him...
Reviewed by Lionel Salter in issue: 11/1984
A tribute to true musical greatness, APR’s reissue of Edwin Fischer’s complete Mozart studio recordings dating from 1933-47 is cause...
Reviewed by Bryce Morrison in issue: 7/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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