Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
''Throw away your first 100 Beethoven Fifths'' was Karajan's advice to Simon Rattle. ''That leaves me 95 still to go,''...
Reviewed by Richard Osborne in issue: 10/1994
The booklet may be skimpy, but at this price few are likely to resist two indisputable classics of the gramophone....
Reviewed by David Gutman in issue: 12/2000
Wieniawski was only in his teens when he wrote the first of his two violin concertos, in Russia in the...
Reviewed by Edward Greenfield in issue: 4/1997
It is understandable that Sophie Yates should have been tempted to call this disc after a supposed namesake of hers;...
Reviewed by Lionel Salter in issue: 10/1996
Both these performances originally appeared on different single LPs (K622 coupled with the Bassoon Concerto, K191; K299 with the Sinfonia...
Reviewed by rgolding in issue: 5/1985
Changing CDs between Acts 2 and 3, I came ruefully and prematurely to conclude that Ernani is an opera for...
Reviewed by John Steane in issue: 9/2006
A Rozhdestvensky protege best known in the UK as a choral conductor, Polyansky goes further than his teacher (Olympia, 11/88...
Reviewed in issue 7/1997
Taneyev is one of those composers apparently destined to be more admired than loved—rather like Reger, perhaps, whose heavy antique...
Reviewed in issue 4/1993
It was George Lloyd’s Eighth Symphony that stimulated a fresh growth of interest in the composer’s music when it was...
Reviewed by Ivan March in issue: 6/1997
The influence on music of the Renaissance’s rediscovery (or, perhaps better, “reinvention”) of antiquity has been comparatively little explored on...
Reviewed by Fabrice Fitch in issue: 1/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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