Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Few if any readers will be without a recording of Handel’s Water Music, so the appearance of a new version...
Reviewed by Nicholas Anderson in issue: 10/1997
There can be few musical genres that have swung so wildly between such extremes of popularity and subsequent neglect as...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2001
This looks interesting. The ingredients include a conductor best known on records in a very different repertoire, and an orchestra...
Reviewed in issue 12/1991
The Emerson Quartet celebrate their 30th anniversary with the three Brahms quartets plus the Piano Quintet. For an ensemble who...
Reviewed by Harriet Smith in issue: 9/2007
These two performances could scarcely be more different, but as recordings both are of only limited interest, even in the...
Reviewed by Arnold Whittall in issue: 7/1988
The Endellion Quartet’s experience tells impressively in this collected edition not just of the regular Beethoven string quartets but also...
Reviewed by Edward Greenfield in issue: 1/2009
In this scruffily casual, shallow-pated world of ours one cannot help casting an envious glance at a time when deportment...
Reviewed by Lionel Salter in issue: 11/1997
Fauré’s two piano quintets are music of an inimitable strength, radiance and intimacy, even when they release their secrets slowly....
Reviewed by Bryce Morrison in issue: 9/2009
The Brodsky Quartet consists of English instrumentalists hiding under the name of the Russian violinist Adolf Brodsky, the dedicatee of...
Reviewed in issue 1/1987
It is good to see a commercial firm sponsoring a recording by gifted young musicians. The Barbican Piano Trio were...
Reviewed in issue 7/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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