Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
After the excitement of hearing their bracing Bartok cycle (the Gramophone Record of the Year in 1989), I've found the...
Reviewed by Stephen Johnson in issue: 2/1991
Truls Mork's earlier BIS account of the Britten Cello Symphony with Neeme Jarvi and the Bergen PO was impressive enough,...
Reviewed by Andrew Achenbach in issue: 12/1999
Hot on the heels of Jan Hora's disc of three of Brixi's organ concertos (see above) comes this release of...
Reviewed by Marc Rochester in issue: 9/1992
An unlikely but compelling recital, dominated quantitatively by Alkan’s typical blend of the sublime and the ridiculous. Ehde approaches the...
Reviewed by kYlzrO1BaC7A in issue: 6/1998
This is the staging that opened the airy new Glyndebourne in May 1994, and this disc captures its celebratory vigour....
Reviewed by mscott rohan in issue: 1/2000
At the beginning of the 18th century Johannes Schenk dedicated a collection of sonatas and suites for two bass viols...
Reviewed in issue 9/2001
The very sound of The Finzi Singers, with their full-bodied sopranos and solid choral vibrato only serves to underline the...
Reviewed by Marc Rochester in issue: 11/1991
Arriving from Philips in double-quick time this is one of the most infectiously enjoyable of ail the recordings of New...
Reviewed by Edward Greenfield in issue: 3/1993
In welcoming the first CD in this series (6/94) I spoke of the performances as masterly and “worthy of the...
Reviewed by Robert Layton in issue: 7/1996
The 1930s were great years for recording Bach. Busch, Cortot and Boyd Neel with their respective orchestras performed all the...
Reviewed by Nicholas Anderson in issue: 3/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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