Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Anyone seeking to add the Bartok piano concertos to his collection must surely be tempted by the prospect of all...
Reviewed in issue 3/1989
DG obviously have great hopes of Christian Thielemann: symphonies by Beethoven (reviewed on page 39) and Schumann and a pair...
Reviewed by Michael Oliver in issue: 3/1997
Klinghoffer has yet to be performed in the US, and Penny Woolcock’s live-action film, shot on location – first shown...
Reviewed by Arved Ashby in issue: 5/2004
First of all, hats off to Bryan Crimp and Malcolm Binns who have made these incomparable Liszt performances available on...
Reviewed by Bryce Morrison in issue: 10/2009
This record is a 'must' for anyone interested in the early development of Western music. Marcel Peres surely makes out...
Reviewed by mberry in issue: 10/1986
Enescu’s three violin sonatas trace the creative progress of a still under-appreciated master from productive derivation in the First Sonata...
Reviewed by Rob Cowan in issue: 5/2011
At the 1992 Edinburgh Festival Olga Borodina gave a recital which was one of the highlights of the Tchaikovsky theme...
Reviewed in issue 6/1994
‘Triumph! Triumph! Triumph!’ as nasty Pizarro exultantly cries. He, of course, is in for a disappointment. Not so the listener...
Reviewed by John Steane in issue: /2000
The orchestral items here were recorded live at the 2008 Sarasateada in Valladolid, commemorating the centenary of the great violinist’s...
Reviewed by DuncanDruce in issue: 1/2010
In general, the great singers of the 19th century exist as names with which we have an uneasy familiarity backed...
Reviewed by John Steane in issue: 12/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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